(Fuente: gooddaypennylane)

  1. Date Posted Icon 27th Abril 2013
  2. Reblogged Icon Reblogged From yelyahwilliams
  3. Notes Icon Notes: 154560

(Fuente: graceshores)

  1. Date Posted Icon 27th Abril 2013
  2. Reblogged Icon Reblogged From anyyoa
  3. Notes Icon Notes: 4250
foreveralonecomic: http://memeblender.com/ Kjkjkkajhahhzjshs

foreveralonecomic:

http://memeblender.com/

Kjkjkkajhahhzjshs

  1. Date Posted Icon 24th Abril 2013
  2. Reblogged Icon Reblogged From foreveralonecomic
  3. Notes Icon Notes: 85
When my mom tells me I can’t get my favourite snack at the grocery store

When my mom tells me I can’t get my favourite snack at the grocery store

(Fuente: thedredlife)

  1. Date Posted Icon 20th Abril 2013
  2. Reblogged Icon Reblogged From kurooro
  3. Notes Icon Notes: 113817
  1. Camera: Canon CanoScan LiDE 110
  1. Date Posted Icon 20th Abril 2013
  2. Reblogged Icon Reblogged From adrii-j
  3. Notes Icon Notes: 109884
  1. Date Posted Icon 20th Abril 2013
  2. Reblogged Icon Reblogged From anyyoa
  3. Notes Icon Notes: 1464
tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure. tildrum: pachurz: Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom. This is a really great rundown of techniques for drawing the human figure.

tildrum:

pachurz:

Some building block references my Life Drawing teacher drew up for us for our Figure Drawing class. Thought I would impart the wisdom.

This is a really great rundown of techniques for drawing the human figure.

  1. Date Posted Icon 12th Abril 2013
  2. Reblogged Icon Reblogged From spx
  3. Notes Icon Notes: 61942
supersonicelectronic: Travis Louie. Artwork by Travis Louie.  Travis has a show, “Monsters on Their Day Off,” opening at Roq La Rue Gallery, Friday April 12th.  Roq La Rue Gallery is in Seattle, Washington.  See more work from the show below: Read More

supersonicelectronic:

Travis Louie.

Artwork by Travis Louie.  Travis has a show, “Monsters on Their Day Off,” opening at Roq La Rue Gallery, Friday April 12th.  Roq La Rue Gallery is in Seattle, Washington.  See more work from the show below:

Read More

  1. Date Posted Icon 12th Abril 2013
  2. Reblogged Icon Reblogged From supersonicelectronic
  3. Notes Icon Notes: 632
nycartscene: continues thru Apr 26: “Thanks” curated by Adam Parker SmithLu Magnus, 55 Hester St., NYCa group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith. Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks. nycartscene: continues thru Apr 26: “Thanks” curated by Adam Parker SmithLu Magnus, 55 Hester St., NYCa group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith. Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks. nycartscene: continues thru Apr 26: “Thanks” curated by Adam Parker SmithLu Magnus, 55 Hester St., NYCa group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith. Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks. nycartscene: continues thru Apr 26: “Thanks” curated by Adam Parker SmithLu Magnus, 55 Hester St., NYCa group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith. Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks. nycartscene: continues thru Apr 26: “Thanks” curated by Adam Parker SmithLu Magnus, 55 Hester St., NYCa group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith. Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks.

nycartscene:

continues thru Apr 26:

“Thanks”
 curated by Adam Parker Smith

Lu Magnus, 55 Hester St., NYC

a group show featuring work by 77 artists and curated by Brooklyn-based artist Adam Parker Smith.

Beginning with a series of studio visits, Smith set out with the clear intention of “acquiring” work for the exhibition. However, he concealed the true concept, premise, and even timing of the exhibition from the artists. Through various surreptitious means, a work of art or object was taken from each artist’s studio. The pilfered work is not any random object but rather one that explicitly relates to the artist’s wider practice. Two weeks prior to its opening, the artists were informed of the exhibition. Only then were they let in on the true concept and scope of the exhibition. Presented with the choice – if the artist agreed, they would be included in Thanks; if they refused to give permission, works were to be returned immediately. However, all invited artists agreed to participate in Thanks.

  1. Date Posted Icon 12th Abril 2013
  2. Reblogged Icon Reblogged From nycartscene
  3. Notes Icon Notes: 243
behindhipstaland: Shot by Markus Anderson  Shot using the John S Lens, AO DLX Film, No Flash

behindhipstaland:

Shot by Markus Anderson 

Shot using the John S Lens, AO DLX Film, No Flash

  1. Date Posted Icon 12th Abril 2013
  2. Reblogged Icon Reblogged From behindhipstaland
  3. Notes Icon Notes: 140
photographersdirectory: I’m a nomad. I live out of a suit case and fly everywhere my boss wants me to. I sleep in so many hotels that when I’m at home I feel away. Some say that’s not normal. I was a freelance filmmaker and will be again soon. Until then I take a lot of pictures. Try to catch the unusual. Sometimes also the usual. But always the vibe of the moment. Thanks for checking me out. - David Nierse.

photographersdirectory:

I’m a nomad. I live out of a suit case and fly everywhere my boss wants me to. I sleep in so many hotels that when I’m at home I feel away. Some say that’s not normal.

I was a freelance filmmaker and will be again soon. Until then I take a lot of pictures. Try to catch the unusual. Sometimes also the usual. But always the vibe of the moment.

Thanks for checking me out.

- David Nierse.

  1. Camera: Nikon D3100
  2. Aperture: f/5,6
  3. Exposure: 1/4000th
  4. Focal Length: 55mm
  1. Date Posted Icon 12th Abril 2013
  2. Reblogged Icon Reblogged From photographersdirectory
  3. Notes Icon Notes: 209